Infinite Redemption - Face of Disaster EP: Review

Modern Metal is always a hit-or-miss affair for most (mostly a miss), and in a country like India, among a vast sea of uninspired, same-sounding bands, it is difficult to find a band that actually stands out as good. Infinite Redemption is among the good bands. Formed in 2003 in Mumbai, Infinite Redemption play a style that takes influences from different genres including Math Metal/Mathcore, early Metalcore, Melodic Death and Thrash Metal and Technical Death Metal, and blend it seamlessly to create a sound that sets them apart from other bands.


Face of Disaster is the debut EP of the band, released in January 2012. The opener, Abhorrence, sets the mood for the EP with a Thrashy guitar riff and aggressive drumming. Catchiness and memorability is maintained throughout the song with tastefully written guitar riffs that switch styles varying from Thrash Metal to Melodic Death and Groove Metal, accompanied by alternating Hardcore Punk screams, screeches and Death growls, all done really well. The opener is followed by the self-titled song, which begins with a nicely written, melodic lead guitar section and a mid-paced rhythm riff. The song has a Metalcore vibe, which may turn off some listeners, but the endless flurry of well-written riffs more than make up for it. The next song, Noise Edge has some textured, progressive and groovy riffs and drumming, making it thoroughly enjoyable for those who dig Progressive stuff, which is followed by one of the older songs written by the band, Shadows of Disaster, which is a straight-forward Melodic Death Metal song, with loads of melodic guitar solos and riffs, which showcases the band's ability to keep things fresh. The final song, Tyranny of the Pallid, takes cues from relatively modern Technical Death Metal, with sometimes complex, yet catchy riffs and tempo and structure changes, and a brief, but really good bass guitar solo. The assault of drums, bass and vocals continues throughout each song, and though they're mostly supporting the endless riffing fury, every element has numerous stand-out moments, and serves equal importance in the music. The drumming is very well done, with adequate amount of groovy moments as well as blast beats, the bass provides heaviness while throwing in an occasional solo, and the vocals add to the overall aggression in the music.

The production job was done by Vishal J. Singh of Amogh Symphony, so professional quality wasn't unexpected. This might turn away people who swear by old school production values and sound, but listeners who can ignore the modern production, as well as listeners who prefer modern production will surely like this, since there is very little to not like here. Being an EP, it also is very short on playing time, clocking at the usual EP length of 21 minutes 24 seconds, and leaves the listener expecting more. Infinite Redemption plant their flag in the Indian Metal scene with their impressive debut, and more material can be expected from them in the coming years.

Face of Disaster can be purchased by contacting the band at infiniteredemption@gmail.com

Be sure to check out their Facebook and ReverbNation pages.
Facebook: http://www.facebook.com/pages/InfiniteRedemption/149356108413917
Reverbnation: http://www.reverbnation.com/infiniteredemption

Axis of Advance - Strike : Album Review

Axis of Advance were a Black/Death band from Canada. Their playing style is similar to Ross Bay cult bands like Blasphemy, Revenge and Conqueror, mostly owing to the fact that James Read from the latter two bands handles drums. Axis of Advance play in a style similar to, but not exactly like the above mentioned bands.

Strike is the band's first full-length album, released in 2001. The moment the first epic 8 and half minute song hits, you realize that it isn't your typical War Metal affair. Unlike the chaos of Conqueror and Revenge, and directionless and mindless blasting of Bestial Warlust, Axis of Advance has some coherence when in comes to structure and riffing. Bear in mind that this, in no way means that it can be digested by your usual Black or Death Metal fan, since the chaotic quality has only been toned down a little. Imagine a cross between Revenge and Order From Chaos - the noise and violence of the former, coupled with the riffing variety and style of the latter. Like their fellow countrymen, Axis of Advance don't cut down the intensity of their assault.

The riffs vary between grinding, war metal-like and catchy, vicious Black/Death Metal riffs, which keeps the songs interesting and avoids monotony, while maintaining the ferocity of the assault. Contrary to majority of Metal, the riffs take up the role of support fire - the band's main weapon is their artillery in form of drums, and it's command undertaken by the war machine, James Read. Read pounds on the snare like a maniac, but with the timing and precision of a sniper. The drums assault the listener's ears, invoking a sense of suppression that is felt in a battle. Between those assaults, are moments with catchy riffs and less destructive drumming, creating a picture of an advancing army through the battlefield, claiming more of the enemy's territory. The drums and riffs are supported by throaty rasps and growls, that don't possess much power but do their job well. The bass guitar is hidden beneath layers of pounding drums and grinding guitars, but due to the rather straight-forward music, its exact nature of playing isn't missed much, but they do the ever-important job of making the music heavier. Some songs on the album end with samples of gunfire, which seem to fit in seamlessly and don't feel forced or put in for no reason. The weak points in the album include the difficulty in differentiating one song from another, (though the case is not as bad as Bestial Warlust), and the length of three particular songs is over 8 minutes, which is a drag for the style Axis of Advance play.


All in all, Strike is an above average album, recommended for Black and Death Metal fans who can take a vicious, relentless assault for over 40 minutes.

Metal for Winter - Black Metal, Doom Metal

Winter arrived few weeks back and the cold swept the northern part of India. Having shifted to this region after ages, I was basically unprepared for the magnitude of this cold. I decided to compile a list of bands/albums that go along with the climate. Unsurprisingly, this list will consist of majority Black (mainly atmospheric/ambient and depressive) Metal and Doom Metal (again, either Death Doom or Funeral Doom) since both genres were have a close association with depression and negativity, just like Winters. There is no particular order followed in this list. So, here I go:

1. Evoken - Antithesis of Light and Embrace the Emptiness - Although the latter lacks the thickness and sheer gloom of the former, which is considered a masterpiece by a majority of Funeral Doom Metal fans, it is a highly recommended Evoken album, since it is well-done diSEMBOWELMENT worship, with great melancholic clean lead guitar lines and the music creates an empty atmosphere with the use of mellow synths. The former album needs no introduction.

2. Empyrium - Songs of Moors & Misty Fields - Empyrium, on this album play an infusion of Dark Folk and Doom Metal, similar to Uaral. This is a promising combination, but Empyrium's output is too mellow, flowery and romantic for stern metal fans. Nonetheless, it appeals to me.

3. Trist - Stiny - This one man band from Czech republic plays Depressive Black Metal, and not unlike most bands, it has a fuzzy, atmospheric sound. The difference lies in the fact that there is a good use of lead guitars and certain variations in drumming and main riffs in songs. The end result is a cavernous, claustrophobic sound of being imprisoned in sheer cold.

4. Nyktalgia - Nyktalgia - Inclusion of this album is a no-brainer. Out of the several Burzum clones floating around in the world, this is the one that managed to stand out, and for all the good reasons. Nyktalgia use the same idea as Hvit Lyset Tar Oss and throw in extra doses of depression, clean guitars, howled vocals and blast-beats, and however formulaic and generic it sound, it works really well. This is the perfect album for which I'd use descriptors like cold or grim.

5. Gorement - The Ending Quest - Probably the only Death Metal band in this list. Gorement are one of those bands with an enigmatic atmosphere. It feels distant, and has a feeling of being in an open space. The atmosphere has a serene and calm vibe to it, which contrasts the riff-tastic Death Metal assault.

6. Abyssmal Sorrow - Lament - Again, a no-brainer. It's obvious from a past review that Abyssmal Sorrow have that dreary, cold atmosphere, full of hopelessness and sorrow. There are no crushing, heavy riffs, but thin, Black Metal riffs played with the pace and feeling of Funeral Doom Metal.

7. Worship - Last CD Before Doomsday and Dooom - For the uninformed, Worship are one of the best known Funeral Doom Metal bands. The music is filled to the brim with pure emotion, and the riffs are crushingly heavy. Worship are well-known for their ability to mix sorrowful atmosphere with heavy riffs and spine-chilling lyrics. Just don't commit suicide after listening to this.

8. Darkspace - Dark Space III - Ambient Black Metal with a ridiculously heavy guitar sound, that is capable of making Death Metal bands hide their faces in shame. Despite that, Darkspace successfully evoke a sound that would be heard in outer space if it had any medium for sound propagation.

9. Black Autumn - Rivers of Dead Leaves - This album always gave me an impression of walking along the road, on dry, dead leaves during a cold, foggy winter morning. Black Autumn mixes Black Metal with Doom Metal, with some post-metal tendencies. Quite laid-back and relaxed, and unlike a lot of bands on this list, it doesn't invoke a miserable feeling.

10. ColdWorld - Melancholie² - No winter is complete without this atmospheric Black Metal classic in your playlist. ColdWorld's music is an amalgamation of Atmospheric Black Metal and Dark Ambient, with use of instruments like violins, and compositions with sweeping wintry melodies that would soak your ears with bliss.

11. Dissection - Storm of the Light's Bane - This Black Metal classic is a stormy blizzard of icy-cold, melodic riffs and appropriate occult-based lyrics. Look at the album cover, add a blizzard to it, imagine being there. If you have synesthesia, you now know how the music sounds like.

12. The Howling Void - Shadows Over the Cosmos - Funeral Doom Metal laced with piano instead of lead guitars. A very laid back record suitable for contemplating or work. Also well-suited for winters.

This is all I can think of, at the moment. Keep checking back for updates on this list.

Rotting Christ - Non Serviam : Album Review

Better known for the far more melodic Gothic-based albums, Rotting Christ started out as a Grindcore band, but abandoned that sound early on, embracing a riff-based, melodic sound, and establishing themselves among First Wave Hellenic Black Metal bands, alongside bands like Varathron and Necromantia. Although a lot of fans like their later sound, Rotting Christ on Non Serviam brought us a flurry of addictive riffs and melodies.

The album begins with The Fifth Illusion, a song with a catchy main riff and chorus. Like a lot of early Greek Black Metal, they don't blast away, nor do they try to create a grim or dark atmosphere. The atmosphere and sound here, are very ancient/medieval, which goes well with the imagery of the band. The riffs throughout the whole album are extremely catchy. The band chooses not to indulge in hard-to-make-out, distorted tremolo picking, and settles for slow to mid-paced riffs, with adequate use of melodies, which immediately brings Traditional Doom Metal bands in mind. The guitar sound is thinned down due to the production, but it shouldn't be a big problem, since the riffs are not overpowered by anything else in the mix. The scales used here are clearly distinct and different. I'm no music pundit, but there's something distinct about the pattern and combination of notes played by the band that sets Rotting Christ - and most Greek Black Metal - apart from the usual idea of the genre. 

The riffage is particularly memorable in slower songs like Morality of a Dark Age, which reflects the band's mastery in the craft of songwriting. The vocals are quite basic black/death metal growls, and there are no attempts by the vocalist to set himself apart. He's a no-frills, to-the-point vocalist, which proves to be a good thing, since they blend in smoothly with the rest of the music, never once grabbing the listeners exclusive attention. The bass guitar is played in a simplistic manner - almost exactly along the lines of the rhythm guitar - but it adds sufficiently to the heaviness of the otherwise thin sound. The drums lines are well written, although simple. There are no blast-beats, but a regular thrashy pattern, when swaying away from addictive grooves. That said, each instrument plays an important role, even though the guitar riffs are the main point of interest.

Thin production is the only problem I can point out, right now. Disregarding that, the album is an essential Black Metal release. The "melodic" part is done well and devoid of any cheesiness, so it shouldn't put potential listeners off. Very highly recommended for seekers of the riff, and for fans of Master's Hammer, Argentum and the likes.